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The Brooklyn-based electronica artist, Alex Burkat’s work has been largely inspired by house, techno, hip hop, indie rock, classical and New York’s current (and very vital) music scene.  His work has also been known to draw inspiration from almost everywhere — his debut EP, Shower Scene  which was released last year was inspired by a night out dancing at the Mister Saturday Night partiesTarot, Burkat’s soon-to-released 12 inch will see a July 11th release through purveyors of all things electronica, 100% Silk Records (a label that I’ve become quite a fan of lately). 

 

Album title track “Tarot” is a shimmering bit of electronica with hot symbols and a loose jazzy feel that manages to be kind of anachronistic — it sounds much like the house music you’d hear at Limelight or at Webster Hall but it’s fresh and subtly modern.  

 

Luke Rathborne’s work has been marked with both the exuberance and restlessness of youth — some of which is inspired by his own unique life. Rathborne learned to play the guitar when a wayfaring stranger passed through Rathborne’s Northern Maine town and accidentally left the guitar behind. Inspired by punk rock’s DIY ethos, Rathborne recorded his first album at 16, After Dark by sneaking into the recording studio of his local college and learning how to use the equipment. When he was 18, he moved to New York where he connected with Tin Pan Alley producer Joey Levine, who helped him hone his sound. 

He’s opened for the Strokes at SXSW, and has made an appearance on BBC 6 Radio. In any case, “Last Forgiven,” the latest single from his latest album, LOST is a well-crafted power pop song — although it seems like a sugary confection, there’s a gritty sense of sadness at it’s center. It’s the sort of sadness that comes from the occasional bitter experience. 

Seattle Mariners vs. New York Yankees 5/16/13

Although last last Thursday was a lovely night, I was the Stadium for the last game of the Seattle Mariners series and it was a rather frustrating game, which had the Yanks losing with the game tying run on third. I then rushed down to the Dugout Bar to catch the end of Game 1of the Rangers vs. Bruins only to see them lose in overtime. So I went home really annoyed.

The season record so far: 0-2. 

Some photos below:

Just when Andy Pettitte was getting taken out, thanks to an injury. 

For these photos and the rest of the photos from this game, check out the Flickr set here:

http://www.flickr.com/photos/yankee32879/sets/72157633516493854/

Chris Kittrell records and performs under the moniker of Baby Alpaca, and his first single, the slow-burning but hauntingly beautiful “Sea of Dreams” had over 50,000 streams in it’s first three weeks available. And although sparsely arranged with just Kittrell’s vocals, guitar for the first roughly 2/3s, you’ll hear a bit of piano softly in the background, it reminded me quite a bit of Echo and the Bunnymen, as well as the Smiths

The official video manages to be somewhat Dada-esque — in other words, it has the surreal logic of our own dreams, which is pretty fitting for the song. 

His debut EP will see a June 25th release through Atlas Chair Records, and he’ll be playing an album release show on June 27th at the Wooly downtown. 

As a child I grew up listening to quite a bit of disco and funk — Donna Summer was considered a goddess in my house, and Parliament Funkadelic, the ministers of funk. So when I hear the 17 member outfit Escort, it brings a lot of memories of those old records. We’re talking about dance songs that have complex arrangements and composers behind them. Their latest single “Barbarians” continues their reputation for bringing a new spin to old school disco, and their vocalist Adeline Michele is a breakout star. But if there’s one difference it’s the fact that the track feels much looser, more playful than some of their previous material. 

The band is starting off an international tour at the Music Hall of Williamsburg with stops in Toronto, ON; Chicago, IL; Portugal; Vienna Austria; and a few others. I’ve saw them for their Halloween show with St. Lucia, and if you dig dance music, they’re a must see. 

Liars are by far one of the most uncompromising and willfully strangest acts in recent memory. Their last album, WIXIIW, which Mute Records released last year and was on this site’s Best of 2012 list continued the band’s reputation — as the album manages to be menacing, murky and at times strangely upbeat. 

The official video for “I Saw You From the Lifeboat” comes on the heels of their special (and sold out) show at the Metropolitan Museum of Art, and a show at Le Poisson Rouge tomorrow night. 

Untitled

As I’ve mentioned a couple of times here, I spent close to a year and a half focusing on the daily Black and White photography project, and admittedly it’s been a relief not to shoot every single day — especially when you don’t always see something interesting or inspiring. Still, there’s a natural urge to shoot and it’s sometimes more fun to shoot randomly without expectations of much happening. This of course leads to this untitled photo project …

A dear friend of mine just graduated from my alma mater — ah, NYU — and within a few weeks, she’ll be off to an Indian reservation out in South Dakota as part of Teach for America. As you can imagine she’s (as expected) excited and scared for the experience, but she had a going away party at her place in Bushwick. Based on where her apartment was — strange for me to say that now — it was actually easier for me to take the Q38 bus to 71st and Metropolitan Avenue for the M train into Brooklyn.  So yes, I was there even if it was briefly. 

We were drinking up a storm at my friend’s place before we decided to hit up Tandem, a nearby hipster bar, and as we were walking down Wilson Avenue, we came across this very cool old car. Oddly enough, as my friend discovered, it was unlocked — in Brooklyn no less. 

Thursday night, i bolted from my office up to the Stadium to catch the last game in the Seattle Mariners vs. Yanks series. Here the Stadium rises above the elevated 4 train line. 

For these photos and the rest of the photos from the project, check out the Flickr set here:

http://www.flickr.com/photos/yankee32879/sets/72157631312447628/

Sob Story, the soon-to-be released album from Spectrals not only shows a level of musical growth from brothers Louis and Will Jones, as the project has now become a full band; but it also shows two other things — that Louis Jones can write a song that feels crafted and well thought with a truly British wit; and that his most obvious influence is the great Elvis Costello — in fact, Louis Jones’ voice sounds quite a lot like Costello, too. Album title track, “Sob Story” is the latest single from an album that may well be on many Best of Lists this year, and it puts Jones’ sad sack, mopey voice behind a twangy, country rock guitar. The song lilts and wilts about, and it just fits. 

Coalmine Records just released a new single from Swedish DJ/producer duo Create and Devastate’s first single “Most Confident” featuring Stone Throw Records’ artist MED and Wildchild off Create and Devastate’s May 21st release Most Confident

It’s honestly just some dope hip hop —- an incredible sample, actual scratching and emcee’s rhyming and playing with internal rhymes and playful rhyme schemes. It sounds as though it could have easily come out in 1995. 

2013 may well be a very big year for Brooklyn-based band Lucius — they’ll be embarking on a lengthy summer tour which will have them playing at the Bonaroo Festival, and other places. Their 60s girl group inspired harmonies and upbeat songs have gotten quite a bit of love here, as well as the New York TimesSpin Magazine, and Rolling Stone.

A demo version of their forthcoming debut full-length album track,”Until We Get There,” recently appeared on the hit FOX show New Girl, and the fans of the show and the band uploading the song on YouTube where it became something of a viral hit — in about a week the video has seen some 45,000 hits. 

As a result, the band released the demo version through iTunes as a bit of a teaser for the new album. The track offers a slight chance of pace for the band — although you hear the pretty harmonies between the two lead vocalists and the band, the track is an atmospheric and moody track that could easily be a love song, describing desperately urgent love in a devastatingly plaintive fashion; but it can also easily be a song that describes the lingering ache of a long-term relationship’s end. 

“Back To The Way I Was,” the first single off singer/songwriter Emily Bell’s debut effort, In Technicolor is a pretty outstanding song — it effortlessly fuses sweaty, down home Delta blues, 60s girl groups, Motown-era soul, and it’s done in a way that practically says “you’re going to pay attention to me — now!” 

In Technicolor will see a May 28th release through One-Eyed George Entertainment, and if this first single is indicative of the rest of the album’s 9 songs, it may arguably be on a lot of best of lists this year. 

Album Review: Sky Hi Funk Band’s Reality Check EP

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Sky Hi Funk Band

Reality Check EP

G.E.D. Soul Records

Release Date: May 7, 2013

 

Track Listing

1.      Reality Check

2.      Numero Uno

3.      Funk ‘til Dawn

4.      Plan B

5.      Your Body

 

Personnel

Derobert “Dee” Adams – vocals

Josh Sable – guitar

Joshua Scott Cochran – keys

Aaron Heffron – alto sax

Austin Little – trombone

Mike Royer – trumpet

Dave Singleton – drums

Tim Hawkins – bass

Silas Jackson – percussion

 

Soul music has seen a remarkable renaissance over the past decade or so, as there have been an increasing number of contemporary bands who have been releasing new, original music with the classic soul sound we’re all familiar with – including acts such as Chicago’s J.C. Brooks and the Uptown Sound, and the Right Now; Boston’s Jesse Dee; Brooklyn’s Sharon Jones and the Dap Kings, Daptone Records labelmates Charles Bradley and his Extraordinaires, and the Del Reys; Cody ChesnuTT, Erykah Badu, Janelle Monae and countless others. This is of course in an addition to the old school groups who have seen their careers revitalized through the Dig Deeper party series here in New York and other events across the country.

  In age of prepackaged, slickly overproduced, cynically calculated, soulless bullshit that’s force-fed upon a largely ignorant, unenthusiastic mass audience, soul music’s prominence this decade is similar to the punk rock revolution of the 70s – both are gleefully reactionary rejections of current trends and values, as well as an attempt to create music with a profound meaning (in radically different ways, of course).  Certainly, in the case of soul music, it marks a dramatic return of hearing the special simpatico between talented musicians playing multi-layered compositions; of vocalists who can actually sing without the ridiculous and unnecessary vocal pyrotechnics that seems to impress modern audiences; and of the return of the lush, richness of analog sound. (God bless you, analog sound! Horns somehow sound more regal. Moog keyboards and Hammond organs sound better, too. Trust me, they just do.)

   And if there’s one place that may well be the metaphysical heart and soul of this soul renaissance it would arguably be the Nashville, TN-based G.E.D. Soul Records, the label home to the fantastic Derobert and the Half-Truths, AJ and the Jiggawatts, and countless others. We’re talking about sweaty, deep Southern fried, funky soul by the way, and it sounds as though it could have come out during the heyday of Muscle Shoals around1966.  This year is primed to be a big year for G.E.D. Soul – you should expect a new Derobert and the Half-Truths full-length album later on this year; as well as re-releases of AJ and the Jiggawatts’ The Drop EP, and one of their first 7 inches, The Grips’ Tennessee Strut. And the label just recently released the latest EP from the Sky Hi Funk Band, led by keyboardist Josh Cochran, and featuring Derobert Adams of Derobert and the Half Truths contributing his silky smooth vocals.

  Because of Adams’ involvement, the Sky Hi Funk Band will fairly and unfairly draw comparisons to Adams full time project, Derobert and the Half Truths. Certainly, there are obvious similarities – namely, one of the country’s best horn lines, a horn line that rivals that of the Funk Ark and others. And lyrically, the songs cover some of the same subjects that concerned the old school soul singers. We’re talking about the daily struggles of getting by when things seem absolutely against you and being strong in the face of impossible odds; dealing with unfaithful lovers, jealous, spiteful haters; falling in love, falling out of love. The songs speak of these subjects with a lived in, personally experienced feel – and it’s the sort of experience that listeners and fans would also know on a very profound level. It wouldn’t be out of the ordinary for someone to shout out “Speak the truth, brother!” as though they were in church. As for the songs on the EP, album opener “Reality Check” describes both the benefits and dangers of daydreaming – sure, it can be a wonderful escape, and it can inspire one to be creative or to do anything they’ve always dreamt; but it can make people delusional and refuse to see reality as it is. “Numero Uno” has its narrator telling a few envious haters to back up off them before they get hood and slap a fool up. Album closer, “Your Body” is a seductive, “Quiet Storm” like love song, full of sensual come ons – and it’s done with a joyous feel.

  Sonically, the differences are occasionally quite subtle, and other times they’re pretty obvious. Generally speaking, the material feels and sounds as though it were inspired by R&B from about 1966-1975, Afrobeat, thanks in part to the use of keyboards and organs to propel the song forward such as on “Funk ‘Til Dawn,” the one instrumental on the album. The influences here feel more varied although they’re very subtle. Naturally because of that, the material should feel warmly familiar – that is the point after all. But if there’s one minor issue, it’s the nagging sense that the album doesn’t quite capture their live sound. Considering their influences, their sound should sound sweatier and looser than it does here. Capturing that live energy can often be difficult on a debut effort. Still, the members of Sky Hi play so with an amiable, down home sort of charm. You can’t help but like them and cheer for their success.