Throwback: Happy 99th Birthday, Harry Belafonte!

JOVM’s William Ruben Helms celebrates the 99th anniversary of the birth of Harry Belafonte.

Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

Last year, I announced that JOVM had to go on a forced, indefinite hiatus. But for a significant portion of the year, before the hiatus, I could barely financially manage to keep the site going. At one point, over a decade of music, arts and culture coverage were lost in the ether — for a little while. 

So, as you can imagine, I had to figure out what I could do and what was next for JOVM. But thankfully, through some luck and the support of a friend, who will remain anonymous upon request, for their generosity and support, JOVM’s return would have been impossible. Thank you!

There are also a list of other folks that I must thank for their support. 

The Patreon Patrons, who have supported me through over the course of the past few years:

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

Also I have to thank the following for their donations: 

Melanie Rodriguez 

Kitty 

I must thank my pal and colleague Adam Bernard for chatting with me about JOVM and the site’s hiatus. You can check out the interview, in which I talk about how important it is to support independent journalists here: https://adambernard.blogspot.com/2025/09/saving-one-mans-movement-convo-with.html

I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor. 

I also have to thank my man John Morrison, Philly’s preeminent music journalist for the support and encouragement. 

Now, I must remind y’all, that The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 15+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have. 

To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work. 

I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation box below. 

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If you’re willing and able to support more regularly, please feel free to check out my Patreonhttps://www.patreon.com/TheJoyofViolentMovement

Anything you can give is very much appreciated. It can and does make a real difference, y’all. 

I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. So there are other, non-financial ways in which you can support this work. 

You can follow me on the following social platforms:

X/Twitter: @yankee32879 and @joyofviolent 

Instagram: @william_ruben_helms

Threads: @william_ruben_helms

Bluesky: @williamrubenhelms.bsky.social

Facebook: https://www.facebook.com/TheJoyofViolentMovement

As always, if there are posts that you dig, share them with your friends. The more eyeballs on my work, the better.

New Video: she’s green Shares Stormy and Anthemic “mettle”

Minneapolis-based outfit she’s green — Zofia Smith (vocals), Liam Armstrong (guitar), Raimes Lucas (guitar), Teddy Nordvold (guitar) and Kevin Seeback (drums) — specialize in crafting dreamy soundscapes that transport the listener to scenes of soft summer rain and fields of swaying wheat, infused with raw emotional intensity. 

With their earliest singles “river” and “smile again,” the Minneapolis-based quintet quickly became a staple within the Midwestern alternative scene, while earning praise from ComplexStar Tribune and The Current. Their debut EP, 2023’s Wisteria saw the band establishing an honest and exploratory songwriting process and a reputation for being a force in the world of sonic surrealism. Adding to a growing profile, the rising Minnesotans have supported their material with tours throughout the Midwest and East Coast with the likes of Hotline TNTFriko, JOVM mainstays Glixen and a list of others. 

Last year, the Minneapolis-based quartet signed to New York-based Photo Finish Records, who released their Henry Stoehr-produced sophomore EP Chrysalis. The EP included  the Souvlaki-era Slowdive-like “Graze,” and the Sundays-meets-A Storm In Heaven-like “Willow.

Building upon a growing national profile, the band shares their latest single “mettle.” Continuing a remarkable run of 120 Minutes-era MTV-like shoegaze and dream pop, “mettle” features Zofia Smith’s powerhouse yet tender vocal ethereally floating over a stormy soundscape of hazy reverb-drenched guitars, sculpted and abrasive riffs and thunderous, driving drums. The song manages to be simultaneously oceanic yet intimate, rooted in personal experiences that are all too familiar and universal.

“‘mettle’ channels the frustration and discomfort that stem from what often feels like constant bad news, while also being an anthem of resilience and the courage to take action and bring about positive change,” the band’s Zofia Smith explains.

Directed by Jaxon Whittington, the accompanying 120 Minutes-era MTV-like video begins with the band’s Smith walking through an eerie forest scene similar to horror movies and is split between horror movie-like vibes and the band playing in the same forest.

The band will have a very busy 2026: Earlier this month, they announced that they’d be opening for Chapterhouse on select dates on that band’s first North American tour in 16 years. During the spring they’ll also open for Bad Suns and Slow Crush with some headlining sets and appearances at Nothing.’s touring Slide Away Festival. The festival will have a stop at the Brooklyn Paramount.

New Video: London’s Mouth Ulcers Share Brooding “Prevail”

London-based outfit Mouth Ulcers — Zak Watson (vocals, guitar), Josephine Rose (guitar, vocals), Jamie Lee Culver (bass) and David Zbirka (drums) — are part of a new generation of dark post-punk that’s actively reshaping the genre into something urgent, youthful and intoxicating.

With the release of their two singles, last year’s “Western Horror Story” and “A Perfect End” the British quartet have quickly developed a sound that they’ve playfully dubbed as “music for vampires to dance to” — i.e. brooding, groove-driven and irresistibly cool.

The band recently made their live debut with sold-out shows in both the UK and The Netherlands. Building upon that momentum, the band recently signed to LAB Records, who will release their highly-anticipated debut EP — and they’re planning to announce some extensive summer tour dates.

But in the meantime, the band’s latest single “Prevail” is a brooding bit of post-punk featuring shimmering, reverb-soaked guitars, atmospheric synths and a motrik-like groove serving as a lush bed for Watson’s yearning baritone. Seemingly channeling Heaven Up Here-era Echo and the Bunnymen, The Cure and others, “Prevail” showcases a remarkably self-assured new band and their ability to craft hook-driven anthems for vampires and goths.

“The meaning behind Prevail was inspired by the film Stalker by Tarkovsky,” the band explains. “The mental and physical struggle of surviving ‘The Zone’, a hostile and reality warping environment which threatens to erase one’s sanity.”

Directed and edited by the band, the accompanying video for “Prevail” playing the song in a cave-like basement and on an abandoned, seemingly haunted English farm. For me, it brings back memories of watching 120 Minutes.