JOVM’s William Ruben Helms celebrates Butch Vig’s 71st birthday.
Throwback: Happy 66th Birthday, Chuck D!
JOVM’s William Ruben Helms celebrates Chuck D’s 66th birthday.
Throwback: Happy 67th Birthday, Joe Elliott!
JOVM’s William Ruben Helms celebrates Def Leppard frontman Joe Elliott’s 67th birthday.
Throwback: Happy 63rd Birthday, Coolio!
JOVM’s William Ruben Helms celebrates the 63rd anniversary of the birth of Coolio.
Throwback: Happy 45 Birthday, MTV!
JOVM’s William Ruben Helms celebrates the 45th anniversary of the launch of MTV.
New Audio: Chrome Sparks Teams Up with Jónsi and Khalid on Ethereal and Cinematic “Sleeper”
Jeremy Malvin is a producer, multi-instrumentalist and creative mastermind the acclaimed electronic music project Chrome Sparks. And over the past decade, Malvin has firmly established a distinctive voice, building a singular world that sees him effortlessly move between electronic music and ambient composition paired with deeply emotional songwriting. Since breaking through with 2013’s “Marijuana,” the Chrome Sparks mastermind has balanced intricate production with lush melodic and atmosphere with 2014’s Goddess EP, 2018’s self-titled, full-length debut and 2019’s “Be on Fire.”
Since “Be on Fire,” Malvin has been extremely busy, focusing largely on collaborations and production for other artists, including contributing production, songwriting and instrumental work for a collection of acclaimed and rising artists, including
Slayyter‘s “Unknown Loverz,” off this year’s WORST GIRL IN AMERICA‘; Lily Allen‘s West End Girl, which reached #2 on the UK Albums Chart and received a BRIT Award nomination — with co-production credits on “Dallas Major,” “Let You Win,” and “Madeline;” Selena Gomez‘s and Benny Blanco’s “Sunset Blvd.,” off their Billboard 200 #2 album I Said I Love You First; and Mallrat’s ARIA Platinum-certified “My Darling, My Angel.”
Malvin’s work has earned praise from a growing list of renowned media outlets including The New York Times, Billboard, NPR, Pitchfork, The Fader and more.
The acclaimed multi-instrumentalist and producer’s first Chrome Sparks album in eight years, Ball of Light is slated for a September 11, 2026 release through ChromeSounds/AWAL Reportedly, Malvin’s most expansive, fully realized and personal work to date, Ball of Light marks a creative rest and the beginning of a new chapter. Expansive yet intimate, the album builds cinematic worlds with glistening and glowing synths intricate production and earnestly felt melodies. The result is an effort that sees the Chrome Sparks mastermind reconnecting with what first drew him to making music while simultaneously pushing his sound into new territories. “Over the last seven years, I’ve focused mostly on collaborations and other artists’ projects,” Malvin says, “Ball of Light is me finding myself again.”
Ball of Light‘s latest single “Sleeper” feat Khalid and Sigur Rós‘ Jonsi is built around a lush, slow-burning and cinematic production of swirling, atmospheric synths, twinkling strings and thumping beats. Khalid’s and Jonsi’s otherworldly and ethereal harmonies languidly float over the mix, seemingly expressing a lovelorn yearning. The result is a song that’s hauntingly dreamlike.
Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative
I’ll be honest — and perhaps more vulnerable than usual: The past 18 months or so have been extremely difficult for me. I’ve been desperately trying to keep this thing going on limited funds. My life has been a vicious and sickening cycle of money: I’m able to keep the lights and heat on for a few weeks and then I’m broke for a few weeks — or in some cases, a few months. Last year, I announced that JOVM had to go on a forced, indefinite hiatus.
The adage is true: It takes money to make money. But what do you do when you don’t have any money? I don’t think anyone has a good answer for that, because I know that I don’t.
Luckily through a mix of luck and the kind and generous support of a friend, who will continue to remain anonymous upon request, JOVM was able to return after a 20-day or so hiatus.
Along with my anonymous friend, who i’ll thank here; there are a list of folks that I must thank for their support:
The Patreon Patrons, who have supported me through over the course of the past few years:
- Sash
- Alice Northover
- Bella Fox
- Jenny MacRostie
- Janene Otten
Also I have to thank the following for their donations:
- Melanie Rodriguez
- Kitty
- Megan Marshall
- Velatine
- Modern Ideas
I must thank my pal and colleague Adam Bernard for chatting with me about JOVM and the site’s hiatus. You can check out the interview, in which I talk about how important it is to support independent journalists here: https://adambernard.blogspot.com/2025/09/saving-one-mans-movement-convo-with.html
I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist.
I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt.
I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor.
I also have to thank my man John Morrison, Philly’s preeminent music journalist for the support and encouragement.
The Joy of Violent Movement is a completely independent and completely D.I.Y. media outlet. Over the course of this site’s 16+ year history, I’ve used my fiercely independent stance to cover music with an eclectic and global perspective that a lot of other publications just don’t have — and will likely never have.
To that end, I could use your support to continue to keep bringing you my unique global perspective on music. There are a number of ways that you can support this work.
I’ve been told that some people would prefer to make a one-time donation because it’s easy and less of an obligation. So, if you’re able to make a one-time donation, there’s a donation form below.
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Your contribution is appreciated.
If you’re willing and able to support more regularly, please feel free to check out my Patreon: https://www.patreon.com/TheJoyofViolentMovement.
Anything you can give is very much appreciated. It can and does make a real difference, y’all. $20 could mean a carfare to a couple of protests or the ability to pay a much-needed subscription fee.
I know that a lot of folks are struggling to make ends meet in an uncertain and tumultuous economic climate. Believe me, I get it y’all. And to that end, there are other non-financial and low cost ways to support JOVM and my work.
If you’re not following me, you can follow me on here:
X/Twitter: @yankee32879 and @joyofviolent
Instagram: @william_ruben_helms
Threads: @william_ruben_helms
Bluesky: @williamrubenhelms.bsky.social
Facebook: https://www.facebook.com/TheJoyofViolentMovement
Please share posts you dig through RTs and shares on these various platforms. And share them with your friends and family, too. Every pair of eyeballs — both new and longtime readers — adds up in terms of ad revenue, of more people knowing about this site and my work, and of course potential for collaborations and work.
Lastly, I have an important ask of you dear friends, readers and colleagues. I’ve been actively looking for work for a while. If you’ve been out there looking for a job, you know that the job search has somehow gotten even more dehumanizing, dispiriting and depressing than ever.
So just to refresh your memories:
I’ve spent just under 15 years in book publishing in the editorial departments of three different New York publishing houses — across both trade and academic publishing — as an Editorial Assistant and Acquisitions Editor.
Over the course of the past two-plus decades, my writing and photography has been published in a lengthy list of publications including Downbeat, Sound Collector Audio Review, Playbill(photography), The Advocate (photography), Out Magazine(photography), Premier Guitar (photography), Consequence, Earmilk (photography), The Inventory, Glide Magazine.com (writing and photography), Publisher’s Weekly, Sheckys.com, Shecky’s Bar and Nightlife Guide, New York Press, Ins&Outs Magazine (photography and writing), Dish Du Jour Magazine, Queens Ledger (writing and photography) Aussie music publication Musicology.xyz (photography) and countless others.
So if anyone has any leads on editorial, communications, writing and or photography jobs — including freelance, contract, project, part-time and full-time, please feel free to contact me.
Music industry folks, if you need someone to write bios for your artists and/or bands — or to take press photos, BTS photos, live concert photos or you’d like to have a tour photographer, please feel free to contact me.
As always, thank you all for your support. Long live JOVM!
Throwback: Happy 68th Birthday, Bill Berry!
JOVM’s William Ruben Helms celebrates R.E.M. drummer Bill Berry’s 68th birthday.
Throwback: Happy 69th Birthday, Daniel Ash!
JOVM’s William Ruben Helms celebrates Bauhaus and Love and Rockets guitarist Daniel Ash’s 69th birthday.
New Audio: Delafaye Shares Introspective, Lived-In “Intrusive Thoughts”
Louisville, KY-born, Jeffersonville, IN-based singer/songwriter Andrew Shockley is the creative mastermind behind the indie folk recording project Delafaye, which derives its name after the name of a street that formed part of Shockley’s childhood memories.
Created back in 2016, the Louisville-born, Jeffersonville-based artist’s solo project sees him crafting deeply relatable, melancholy-fueled songs rooted in honest, raw, heart-worn-on-sleeve-driven reflections on modern day concerns that he records he records at his home studio, Beechwood.
Shockley’s latest Delafaye song “Intrusive Thoughts” features a gorgeous, folksy arrangement of strummed acoustic guitar, subtly bluesy electric guitar twinkling keys and a simple yet propulsive backbeat beneath the Louisville-born, Jeffersonville-based artist’s gravelly Jesse Welles-like vocal. While clocking in at a little over 2:30, “Intrusive Thoughts”focuses on a lonely guy, smoking cigarettes at a local bar with intrusive thoughts of self-doubt, self-loathing and despair with a novelist’s attention to psychological realism that feels lived-in.
New Audio: Twin Temple Returns with Soulful and Yearning “Haunt Me”
Formed back in 2017, Twin Temple — married couple Alexandra and Zachary James — are an acclaimed Los Angeles-based duo, who specialize in a new sub-genre and style that they’ve dubbed “Satanic Doo Wop,” which blends their practice of Satanism with a sound that’s influenced by The Platters, Roy Orbison, Buddy Holly and the like.
The Los Angeles-based duo have developed for being one of the contemporary scene’s most talked about crossover acts, earning widespread coverage from media outlets like Rolling Stone, NME, Billboard, American Songwriter, Stereogum, Consequence, Revolver, Kerrang!, Metal Hammer, Loudwire, San Francisco Chronicle, Los Angeles Times and a long list of others, and for being one of the most provocative acts out there right now. Their uncompromising artistic vision routinely sparks much larger and more serious conversations about artistic freedom, religious freedom, freedom of expression, censorship, the role of controversy in art, and on a broader sense, the wider role of art within the cultural landscape.
Some of y’all, have heard of the duo after Charley Crockett abruptly dropped the band from his shows earlier this month — specifically because of their usage of Satanic imagery. This led to Jack White publicly inviting the band to open for his Los Angeles area show in September. Serendipitously, the duo’s highly-anticipated third album Doomed Lovers will come right on the heels of their latest, and arguably biggest controversy to date.
Slated for an October 9, 2026 release through their own Pentagrammation Records, the Shooter Jennings-produced Doomed Lovers was recorded at Hollywood-based Sunset Sound‘s iconic Studio 3 and marks the acclaimed duo’s boldest chapter to date.
Born from one of the darkest periods of their personal lives, Doomed Lovers is reportedly their most intimate and emotionally revealing work to date. Expanding upon the cinematic scope of the sound that has won them acclaim while remaining rooted in the timeless sound and traditions of early rock ‘n’ roll, the album is their most ambitious and fully realized artistic statement so far. The album continues the band’s commitment to analog recording while expanding upon their sound with lush orchestral arrangements performed by a 37-member orchestra. Yes, 37!
“We poured everything into this new record that we made with Shooter,” says the acclaimed and controversial duo. “We wanted to push ourselves creatively and expand the production further than we have before, drawing inspiration from the lush orchestral productions of Roy Orbison, The Ronettes, and The Shangri-Las, and added in some Countrypolitan flair. We brought in some incredible musicians like Matt Chamberlain and Jay Bellerose, and a 37-piece orchestra. We wanted to make something as beautiful as we possibly could – of course with our dark spin on things.”
The truth is, this album was made during one of the darkest periods of our lives. We had been struggling with grief, health issues, addiction, and depression. But day by day, going into Sunset Sound, making music with incredible people who believed in us, and being surrounded by that creativity slowly brought us back to life. We started smiling and laughing again. I was becoming alive again. It connected us to why we fell in love with music in the first place and became our most personal album yet.”
The album will include the previously released, breathtaking gorgeous, album title track “Doomed Lovers,” and the album’s latest single “Haunt Me.” “Haunt Me” is a decidedly twangy, Wall of Sound-meets-Sun Records-like tune with a subtle node to gospel that should remind the listener that country’s iconic period is heavily indebted to gospel, the blues and a early rock ‘n’ roll. That’s right, think of some of those early Elvis Presley, Johnny Cash, Jerry Lee Lewis, Little Richard and Chuck Berry albums — but rooted in a confusing, paradoxical mix of dread, jealousy, fear and longing that feels lived-in and deeply experienced.
“‘Haunt Me’ is a gothic love song about fear, obsession, dread and jealousy with nods to classic American gospel, 1960s rock n roll and the blues,” the duo explain. “It romanticizes the terrifying nightmares your lover brings, and the paradox of never wanting them to stop haunting you.”
Throwback: Happy 90th Birthday, Buddy Guy!
JOVM’s William Ruben Helms celebrates Buddy Guy’s 90th birthday.
Throwback: Happy 82nd Birthday, Jimmy Cliff!
JOVM’s William Ruben Helms celebrates the 82nd anniversary of the birth of Jimmy Cliff.
Throwback: Happy 81st Birthday, David Sanborn!
JOVM’s William Ruben Helms celebrates the 81st anniversary of the birth of David Sanborn.
