New Audio: The Womack Sisters Share Soulful and Heartbroken “Monster”

Rising Los Angeles-based sibling soul trio The Womack Sisters — Kucha, Zeimani and BG — can trace the origins of their careers to their childhood: The trio were singing before they could even walk. They grew up on stages and in studios across the globe, singing behind their parents, as well as their legendary uncle, Bobby Womack. And adding to The Womack Sisters’ remarkable pedigree, their grandfather was the iconic Sam Cooke

No matter where they called home at the time — LondonThailand, AmsterdamKenyaWest VirginiaThe Bahamas — music and family were always a constant at the center of their lives. Of course, as the sisters grew up, each with their own respective journeys, experiences and heartaches, they managed to find their own voices and their own path.

Each member of the trio has their own individual vocal styling and timbre, but they playfully trade leads and effortlessly blend their harmonies perfectly in a way that only siblings can do.

Back in 2016, a mutual friend introduced The Womack Sisters to Daptone Records co-owner and producer Gabriel Roth, a.k.a. Bosco Mann, who heard them sing and fell quickly and deeply in love with their voices. Shortly after, they met, they went to Daptone’s Riverside, CA-based Penrose Studios to record their label debut, “If You Want Me“/”I Just Don’t Want You (To Say Goodbye).”

The rising Los Angeles trio’s long-awaited self-titled, full-length debut is slated for a Friday, August 14, 2026 through Daptone Records. The album will feature the previously released “Chauffeur” and the album’s latest single “Monster.” “Monster” is a slow-burning and heart-wrenching ballad rooted in a cinematic and old school-inspired arrangement and production. The song is about coming to terms with the devastating, emotional void left by unrequited love that features the siblings’ vocals expressing heartache, confusion, yearning and stubborn, determined pride within a turn of a phrase.

New Audio: King Gizzard and The Lizard Wizard Return with Muscular and Menacing “Kill For The Steel”

Wildly prolific Melbourne-based JOVM mainstays King Gizzard & The Lizard Wizard — Stu Mackenzie (vocals, guitar), Ambrose Kenny-Smith (harmonica, vocals, keys), Cook Craig (guitar, vocals), Joey Walker (guitar, vocals), Lucas Harwood (bass) and Michael Cavanaugh […]

New Audio: Edinburgh’s Auld Reekie Nocturne Shares Broodingly Cinematic and Club Friendly “Vault of the Damned”

Edinburgh-based electronic music producer, DJ and self-proclaimed intergalactic vampire Natasha Kitty Katt, who channels her lifelong love of sci-fi, horror and electronic music into a bold, unmissable creative identity. Her work, which has seen her play at clubs like Hi Ibiza, Printworks London, Ministry of Sound, House of Yes, Gabriela NYC and others across the world, blends Italo, synth-driven music and cosmic disco with a cinematic flair. She also holds residencies at Glitterbox, Suncebeat, Soul Heaven and Southport Weekender.

Adding to a growing profile, her work has been released on a growing number of powerhouse electronic music labels including Nervous Records, Glitterbox, Paper Recordings, Whiskey Disco, F*CLR and her own Ghetto Disco Records and Shadowrunner Recordings. And the iconic Louie Vega has remixed two of her tracks.

Last year’s Synaptic Juice is a concept album that was a genre-bending experience that blurred the lines between soundtrack, storytelling and hedonistic, dance floor escapism that also showcased her ability to transform her passions for horror, fantasy and futuristic sounds into a fully realized sonic universe.

The Edinburgh-based producer and DJ is also the creative mastermind behind the darkwave recording project Auld Reekie Nocturne. Auld Reekie Nocturne is a Natasha Kitty Kat’s dark electronic project inspired by her lifelong fascination with Edinburgh’s dark, shadowy past. Rooted in a love of horror, gothic storytelling and the macabre, the project brings some of the city’s most haunting and disturbing real stories to life through music, immersive storytelling and visuals. Every release is shaped by extensive historical research, with a strong focus on authenticity and respect for the real stories behind the music.

Natasha Kitty Kat’s latest Auld Reekie Nocturne single “Vault of the Damned” sonically is one part John Carpenter soundtrack, one-part LutchamaK-like deep house banger with a relentless motorik groove that showcases the Scottish producer’s unerring knack for broodingly cinematic yet club friendly tunes.

New Audio: Shabazz Palaces Share Woozy “Ahh World (I Won The Alpha Bet)”

Seattle-born and-based emcee, musician, producer and JOVM mainstay Ishmael Butler has spent the better part of the last three-plus decades, exploring the outer edges of music: In the early late 80s, he co-founded the pioneering, Grammy Award-winning hip-hop trio Digable Planets, who released two landmark albums, 1993’s Reachin’ (A New Refutation of Time and Space) and 1994’s Blowout Comb, toured with Sade — and are still touring today. Butler is also the founder and creative mastermind of the JOVM mainstay act Shabazz Palaces, which released experimental and highly influential debut, 2011’s Black Up. And with Shabazz Palaces, the Seattle-based artist has continued to push sonic and stylistic boundaries over the course of seven albums, including 2014’s Lese Majesty.

Butler’s exemplary tastes, verve and unique talents have led to collaborators with Flying Lotus, Thundercat, George Clinton, Clipping., Battles, Onoehtirx Point Never, Animal Collective and his own son, Lil Tracy. He has also collaborated with filmmakers Khalil Joseph and Hiro Murai, and design work with Toronto-based multidisciplinary artist and fellow Black Constellation member Nep Sidhu. And with Shabazz Palaces, Butler has toured with Radiohead, TV On The Radio, and Ms. Lauryn Hill.

The Seattle-based artist’s eighth Shabazz Palaces album, the Butler and Erik Blood co-produced, 10-song It’s a Style Sport is slated for an October 23, 2026 release globally through Sub Pop. The album, which marks the first batch of new material from the JOVM mainstay since the release of sibling mini-albums, 2023’s Robed in Rareness and 2024’s Exotic Birds Of Prey is reportedly a bold, forthright and heavy-hitting album. Throughout the album’s runtime, the Shabazz Palaces creative mastermind compiles what he’s learned from his storied and dense career into a playful, shimmering portal, yet again proving himself an artist of chameleonic ambition, fueled by curiosity, courage and a boundless imagination.

Recorded at Brooklyn’s Circular Ruin Studios, Lake View Studios and Seattle’s Hall of Justice Studios, the album will feature guest appearances from Marquette Miller, Thaddeus “Thadillac” Turner, Evan Flory-Barnes, Gerald “Tugboat” Turner, Kassa Overall and Carlos Overall. The album was mastered by Warren Defever at Detroit’s Third Man Mastering.

It’s a Style Sport’s first single, album opening track “Ahh World (I Won The Alpha Bet)” is woozy and meditative track featuring woozy synth and skittering and thumping beats paired with Butler’s imitable, laid back swaggering delivery. Sonically, the new single strikes me as a being a mischievous yet seamless synthesis of the sounds of Black Up and Lese Majesty, while reminding listeners that Butler is a criminally under-appreciated, wildly witty emcee with bars upon bars upon bars.

Throughout the song’s run, Butler takes on the role of an omnipresent and omnipotent narrator, telling his own life story from a fantasy-driven third person perspective, ending with a list of directives and advice for a successful life. Although the song is a lucid fever dream. it’s grounded in what truly matters in life — one’s own honor.

The single is accompanied by a visualizer from Jacob Kaser and edited by Leigh Riibe  that’s set in a futuristic, comic book-styled Seattle.

It’s a Style Sport is now available to preorder on CD/LP and digital from Sub Pop. LP preorders are available at  megamart.subpop.com in North America, Mega Mart Europe in the UK and EU, and your local record store will receive the limited Loser edition on Metallic Silver (North America) and Sparkle Starlight (EU/UK) vinyl (while supplies last).

 
On Thursday, August 13, 2026, Shabazz Palaces backed by a live band will join labelmates Clipping. at their Splendor & Misery Festival at Knockdown Center. Friday, August 14, 2024 Shabazz Palaces will host Baz Off Broadway, a DJ set at Brooklyn’s The Lot Radio from 2-3pm Eastern Time. On Saturday, September 12th, 2026 Shabazz Palaces will perform at The Genius Awards event hosted by local arts and culture magazine The Stranger in Seattle at The Moore Theatre.

New Video: London’s Black Doldrums Shares Broodingly Atmospheric “Repetition”

London-based post punk trio Black Doldrums founding duo Sophie Landers (vocals, drums) and Kevin Gibbard (vocals, guitar) with newest member Matt Holt (bass) — will be releasing their third studio album Repetition Compulsion on November 13, 2026 through Fuzz Club. Deriving its title from a psychological concept first explored and named by Freud, the recently announced album is the final part of the London-based band’s State of Mind Trilogy, a three-album exploration of the psychological forces that shape identity, memory and human connection which began with their debut, 2022’s Dead Awake and 2024’s In Limerence. At the heart of all of their work is the creative and personal relationship between the band’s founding duo of Gibbard and Landers, whose relationship forms the emotional foundation for the forthcoming album — and the lens through which its themes are explored. As Gibbard explains, “These songs are either about Sophie, for Sophie, or inspired by her.”

Thematically, the 11-song album reportedly sees the London-based trio exploring how repetitive patterns and behaviors shape intimate relationships, collective memory, politics and wellbeing in a way that’s both deeply personal and quietly universal. Through evocative songwriting and cinematic production, Gibbard says “the album invites listeners to confront the echoes of the past while questioning whether those patterns can ever truly be broken.”

Inspired by 80s gothic post punk, synth pop, darkwave and the film scores of John Carpenter and Vangelis, Black Doldrums build on the emotional and sonic foundations of these influences to create something cinematic, modern and completely their own. Each of Repetition Compulsion‘s 11-songs has been crafted with intention, with the band balancing darkness with beauty to create a sod that’s melodic, broodingly atmospheric and with emotional depth. Listeners should expect to hear layers of analog synths, chorus pedal-soaked guitar and driving rhythms paired with an expansive production that gives each arrangement a sense of massive, cinematic scale. Rather than relying on nostalgia, the album presents post-punk as a living, ever-evolving form, with the band embracing atmosphere without sacrificing melody, introspection without loss of momentum and darkness without abandoning hope.

Repetition Compulsion‘s first single “Repetition” is a brooding dirge-like tune built around swirling, atmospheric synths, a slashing riff and a relentless motorik pulse beneath Gabbard’s icy baritone and Landers’ yearning backing vocal. While sonically nodding at Joy Division, Molchat Doma and PLOHO, the song as Gibbard explains that the song “. . . came from an idea to challenge ourselves to write something around one riff and something dirge-like. It also fit the theme of the album and the topic of repetition by literally experimenting with repetition in the musical sense. The opening line  – ‘is your mind split in two‘ – is something taken from our conversations on our many long walks around London where Sophie was talking about the psychological term splitting. It seemed to fit the feel of the song and theme of the album so much so it now opens up both the album and our live shows. I consider it very much Sophie’s song because she was the source of inspiration and that’s why we have her backing vocals fairly prominent to create a dual vocal effect. I also had the after-thought to have Sophie mime the first line in the video which is actually her line anyway.”

Directed by the band’s founding duo, the accompanying video for “Repetition” is a sleek, cinematic and brooding visual that touches upon the song’s themes of psychological — and at points, physical — splitting.